Best canon lenses under 500:: The question on everyone’s mind is what is the best camera lens we can buy without breaking your bank account. So today I will give you a list of the best camera lens for under $500.
Okay so you have the first camera you’ve been taking photos but for some reason, they don’t really look the way you want them .let’s break this down.
You got to know what you want in a photo before you actually take it. What I like about my photos is a blurry depth of field, nice framing, and just good colors.
I prefer my photos to actually look like they’ve been taken from a movie. We will call this cinematic, we will call it filmy whatever you want to do. I take my photography very very seriously.
Photography, film, and cameras are my life. I spend most of my time around them. There’s a moment as a photographer where you’re gonna go from taking photos, to taking photos.
Now the big problem with photography is its an extremely expensive hobby. As I’m sure all of you know this is why I’m making this article for you. Let’s find out the best canon lenses under 500.
Best Canon Lenses Under 500
Canon has so many lenses. Some lenses are so expensive and some are not. Here I am going to making a shortlist of best canon lenses Which you can buy under 500$.
- Canon EF 50mm f/1.8 STM Lens
- Canon EF-S 24mm f/2.8 STM Lens
- Canon EF 17-40mm f/4L USM Lens
- Canon EF-S 55-250mm f/4-5.6 IS STM lens
- Canon EF 40mm f/2.8 STM Lens
- Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens
- Canon 75-300mm f/4-5.6 USM III lens
Canon EF 50mm f/1.8 STM Lens
Let’s first take a look at the build quality of this new lens. I pretty much knew this was going to be a complete redesign from the old bundle. And I tell you what it sure needed it.
Now in the back of the lens, we now have a metallic mount which is really nice to see and moving up from that plastic mount has increased the weight slightly.
But also hugely increases the longevity of this lens. On the front, we’ve got a 49mm filter thread which is even smaller than the old 52mm thread. Even the little things have been upgraded like this autofocus manual focus button.
On the new 50 STM, it’s all changed the focus ring is absolutely fantastic. The new focus ring is very similar to the older ones used on the 24mm STM and the 40 millimeter STM.
Now a full-time manual focus ring which means that there’s not going to be any more breaking your lens when you forget to take it out of autofocus mode.
They did upgrade is the minimum focus distance. It’s gone a little bit shorter which means you can get a little a bit closer to your subject.
It had such a shallow depth of field. Now its bokeh was a little bit funny because it had only five aperture blades. But that’s all being upgraded now on this new STM model.
So on the new Canon EF 50mm f/1.8 STM Lens, it’s now been upgraded to seven rounded aperture blades. It’s very smooth, it’s very creamy and it’s also not as distracting.
One of the biggest upgrades of this new 50mm lens is the inclusion of an STM motor or stepping motor. Now talk about the auto-focus performance of Canon EF 50mm f/1.8 STM Lens.
That is very very impressive gotta say autofocus on the new 50 1.8 STM lens is a massive upgrade fantastic.
You can really get some nice close-up shots with this lens. This is my first recommendation if you are looking for the best canon lenses under 500.
Canon EF-S 24mm f/2.8 STM Lens
It also a brand new lens from Canon that’s almost certainly destined to
become a very popular the EFS 24mm F 2.8 STM pancake lens.No prizes for guessing the unique selling point of this piece of kit.
Its tiny size makes it one of the most portable and convenient camera lenses. Canon found a lot of success with their previous 40mm pancake lens which fits both full-frame and aps-c cameras.
This new wider angle 24 mm version is an EFS lens. So it will only fit on canons generally less expensive aps-c cameras. Like the 1200 D, 700 d, or 7d series and so on.
This lens won’t even physically fit on one of the canons more expensive full-frame cameras. It has a fixed focal length of 24mm which is the full-frame equivalent of 38.4mm.
That’s a fantastically useful wide-angle focal length. Wide enough to give you the bigger picture and take in your surroundings.But not so white that you have no emphasis on your subject.
I think it’s just about the best focal length for general-purpose photography work. Unsurprisingly for a lens of its size this piece of kit does not have image stabilization. So it’s not going to be completely perfect for handheld video work.
It has a maximum aperture of f28 which means that the lens can let in a
reasonably good amount of light. About twice as much as a standard kit lens does at 24mm.
Admittedly many prime lenses do let in a bit more light than that. But F 2.8 certainly gives you a helping hand for shooting indoors or at nighttime getting you faster shutter speeds.
An aperture of f28 can also give you slightly more out-of-focus backgrounds in your pictures and it’s always desirable to have that option. Because this lens has such a wide-angle you’ll have to get close to your subjects to see what the Bakker looks like.
This isn’t really a great portrait lens. Let’s look at the build quality. Like
it’s an older forty-millimeter brother. This the pancake lens is very nicely built. It’s obviously very small and light but it feels nice and solid especially being based around a metal lens mount.
The narrow focus ring turns extremely smoothly and you can turn it at any time. Although doing so will only change focus when the lens is actually set to manual focus. The ring is electronically coupled to the lens’s focus mechanism.
The lenses STM autofocus motor is very accurate but not terribly fast.
It makes a very quiet buzzing sound in use. Overall the lens is built fairly nicely indeed being small and handy and working without any problems.
The lens can focus as closely as 16 centimeters from your subject which is very close indeed perfect for taking pictures of small subjects. At F 2.8 the picture quality is very sharp with a tiny further improvement at f/4.
This new pancake lens from Canon is a bit of a winner on all fronts it’s nicely built. This is my scound recommendation if you are looking for the best canon lenses under 500.
Canon EF 17-40mm f/4L USM Lens
This lens is designed to work with cameras of full-frame centers. Like the canon 6d series or the Canon 5d Series. But if you mount this lens on an APS-camera we’re going to have a 1.6 x crop factor which is going to change this lens to a 28 by 64-millimeter lens.
That’s going to really take this lens out of the ultra-wide-angle and more into these standard zoom lens. If you’re looking for a good wide-angle lens for aps-c cameras, I definitely recommend the Canon 10 to the 18-millimeter lens.
This lens is more affordable and will actually give you true wide-angle pictures. So this is actually one of the canons best selling lenses. The 17 to 40-millimeter lens and there are a couple of reasons.
One the price tag, this lens is very affordable and it’s one of the cheapest out lenses to get into. I love shooting this lens at 17 millimeters because you can really capture some nice deep landscape shots.
And it’s still very sharp when zooming into the middle of the frame. All the focus on this lens is extremely fast and silent. It just comes right into focus just like you’d expect with an L lens.
As far as weight goes this lens is relatively lightweight coming in at sixteen points eight ounces. The overall build quality of this lens is very good.
Taking a look at the back of the lens you can see it is a small-metal mount. And there’s also actually a rubber gasket which is going to be there to help make this lens weather-sealed. Also back here we can see a slot to put in a drop-in filter like an ND filter or a polarizer filter.
This is actually very common to see in professional wide-angle lenses. It’s really nice to see on this lens even though the price tag is on the lower end of the wide-angle spectrum.
It also does have a spot for a screw-in circular filter on the front of the element and that size is going to be 77 millimeters. Which is a very standard size fastest available aperture.
On this is going to be at 4 in is a nice consistent aperture. This lens is very smooth and solid. It also does feature a focus distance indicator which is really nice in just like every other lens.
Overall this is a fantastic wide-angle zoom lens for full-frame shooters. It’s built like a tank, it’s a relatively sharp lens and the autofocusing is also very good.
This is my third recommendation if you are looking for the best canon lenses under 500.
Canon EF-S 55-250mm f/4-5.6 IS STM lens
This new version has a number of major improvements. This is a telephoto zoom lens. Designed for use with canon says-c digital SLR cameras.
And won’t even attach to one of the canons expensive full-frame cameras unless he tried to hack it somehow. As a result, it can be smaller and lighter than canons full-frame telephoto lenses.
Very commonly zoom from 70 to 300 millimeter but this inexpensive lens starts at 55millimeter. Which gives you a major advantage at the wide-angle.
It’s a fantastic zoom range for any camera lens. So if the focal range is very nice but the real issue with this and many other telephoto zoom lenses is that the maximum aperture is quite narrow.
Going from f/4 at the wide end and quickly darkening to a 5.6 as you zoom in. That means the lens isn’t letting in much light which is annoying as you want to get fast shutter speeds for sharper pictures.
It also means that the lens is not giving you the super blurry backgrounds that more expensive models can offers. However, you do need to pay a lot more money for a lens with a faster maximum aperture.
They’re normally a lot bigger and heavier and don’t have the same impressive zoom range. This darkening maximum aperture can potentially be annoying for video makers as you want your night levels to stay the same as you zoom in.
If you don’t want your footage to get darker the solution is to set your aperture to F 5.6 or slow when you’re doing a shot that zooms in or out. You’ll still get very subtle changes in light levels but it’s not fairly noticeable on this particular lens.
Especially if you’re zooming slowly which is good news. This lens has image stabilization. If you’re just doing normal still photography then you’ll notice that the autofocus speed is reasonably good and also absolutely silent.
Let’s look at the rest of the lens. It’s not quite built to the very highest quality but it handles very well indeed it’s made of decent quality plastics. It’s nice and light without being wobbly or flimsy.
The zoom ring is very nice and smooth .Especially for such an inexpensive lens. It feels slightly heavy and nicely damped to turn. The manual focus ring is attached to the STM motor.
So it only operates when your camera is switched on. It feels extremely smooth to use. Another nice improvement the STM version of this lens has over its predecessor is that the front element of the Lance doesn’t turn or extend as you adjust the focus.
It’s a professional touch which is especially helpful if you’re using polarizing or graduating filters. Overall the lens is built very nicely indeed especially as it’s so inexpensive.
And it’s a truly fantastic lens for if you’re doing video work. Well, that’s enough about build quality. Let’s look at the all-important picture quality. The original 55 to 250millimeter was sharp at wide angles and averagely sharp.
When you zoomed in but it also had quite low contrast. This new STM version can focus much closer. It can focus down to 85 centimeters which are really very good.
Close-up image quality is very sharp at F 5.6 and even better stopped down tof/8.This lens has 7 aperture blades. This means that when you stop down the aperture you can potentially get some nice 14 the points on stars showing up.
The lens manages to work quite well against bright lights. You only see flaring or a lack of contrast when the Sun is right in your frame. So that’s good to see.
The lens doesn’t have a very wide maximum aperture so you can’t get the bluest background with it. However, when you can get your background out of focus the quality of these lenses broke his pleasingly good.
This is my forth recommendation if you are looking for the best canon lenses under 500.
Canon EF 40mm f/2.8 STM Lens
Now I’ll be taking a look at a very successful modern lens from Canon. The EF 40 millimeter F 2.8STM for full-frame or aps-c digital SLR cameras. It can easily be adapted to work on mirrorless cameras.
It’s nice and cheap. In recent years Canon has made quite a hobby of releasing tiny little pancake lenses. This is the one that started it all. The 40millimeter angle of view is a perfect standard focal length.
If you’re using the full-frame camera giving you pictures that are somewhat wide-angle but still offer a sensible emphasis on your subject. If you own an APS-camera then that focal length is correspondingly tighter. Making it a very short telephoto lens opening up a few possibilities for portrait work.
On either kind of camera, the 40mm focal length is very usable. This lenses maximum aperture of f28 means it lets in a reasonably good amount of light to give you faster shutter speed and reasonably out-of-focus backgrounds.
F2.8 is hardly a very bright maximum aperture but it’s certainly good and particularly if you’re using a full-frame camera there’s some creative potential here.
The build quality of the lens is nice. Obviously It’s tiny but being based on a metal lens mount it actually feels quite well made. There is no image stabilization on this lens.
Surprisingly considering its size for autofocusing this lens uses an older version of the canons STM system. It’s meant to be silent but it’s not the fastest autofocus motor either.
If you’re shooting video butat least the autofocus is nice and accurate. The STM autofocus motor means that it should work quite efficiently with canons’ newest cameras.
The manual focus ring is electronically coupled to the STM motor. It’s not hugely responsive but at least the focus ring turns quite smoothly. Overall the build quality of this lens is perfectly nice.
The lens can focus as close as about 30 centimeters bringing you quite close to your subject If that’s what you want.
Overall there really is nothing bad. I can say about the Canon 40mm 2.8 pancake lens whether you’re using a full-frame or aps-c camera. Its behavior is consistently excellent.
This is my fifth recommendation if you are looking for the best canon lenses under 500.
Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens
It is a classic and generally well-respected ultra-wide-angle lens for aps-c digital cameras. It’s about ten years old now it’s a camera lens with a special place in my heart.
Most aps-c kits lenses start at a wide angle of 18 millimeters. This lens goes as wide as 10 millimeters. This is helpful for photography indoors or in tight spaces. It’s also useful for pushing back your subject and giving you an extremely wide background.
Even if you’re shooting quite close up the corners of your images. It will look dramatically stretched. Lending a new perspective to otherwise unexcited scenes and video footage at 10millimeter looks especially cool.
It’s the equivalent of 16 a millimeter on a full-frame camera. I love that focal length while the zoom range starts at 10millimeter it can zoom in to 22millimeter.
That’s actually a good zoom range from an aps-c ultra-wide-angle lens. It has a maximum aperture of F 3.5 to4.5.So it does darken a little as you zoom in but still, that’s about average for this kind of lens.
It’s possible to get some outer figures backgrounds too. If you get real close however bear in mind that the lens does not have image stabilization.
The lens is based around a metal Mount which is nice and solid but not weathers sealed on the rear mount of the lens. You can see a plastic cap that prevents you from mounting it onto the full-frame camera.
So you won’t be able to use this on any of canons full-frame cameras or film cameras. Back in the old days of canons a psh censored cameras. Some people would hack the plastic end bit off.
In order to mount it on their camera giving you a full image circle from about 12 millimeters. That’s a slightly obscure tip for people who are using a psh camera. The rest is made of good quality plastics which makes it feels solid enough but not too big or heavy.
It’ll balance well on pretty much any camera. The lenses zoom ring is not stamped but it is very smooth to turn indeed and quite nice and precise. It’s especially easy to use during video work as it’s quite light to turn.
The front of the lens doesn’t extend as you zoom in and out but the inner battle of the lens does. That means you can put a filter on the front of the lens and have very slight weather sealing advantage on a front.
The lens’s focus ring is very smooth and precise. You can turn it at any time whether this lens is in manual focus or not. The lens uses canons USM autofocus motor which is lightning fast silent and accurate.
The lens is built very nicely indeed. It doesn’t come with a lens hood today. You’ll have to buy one separately if you want it although canons official one is very nice with flocking on the inside.
This Canon lens can focus as closely as 24 centimeters. Which is reasonably close for some creative photography. At f/4 point 5 the close-up image quality seems to be a little soft but stop down to f/8 and it gets decently sharp.
This lens is capable of getting somewhat out-of-focus backgrounds. If your subject is close enough some wide-angle lenses struggle with air poker but the Canon lens does quite a good job.
Autofocus backgrounds are generally fairly smooth. You never get any major distractions at the end of the day.TheCanon ten to twenty-two millimeters is about overpriced for a ten year older lens but it’s still quite a capable instrument.
It’s well-built and at optics are still just about sharp enough. This is my sixth recommendation if you are looking for the best canon lenses under 500.
Canon 75-300mm f/4-5.6 USM III lens
This is an older lens now. But it’s fully compatible with canons aps-c and full-frame digital cameras. It’s a budget lens that is often sold in cheap camera deals with canons less expensive digital SLR cameras.
Is this lens really good enough to still be sold today?
The lens is a bit bulky and wobbly and generally cheap. It’s not a complete piece of trash but it feels very economical. The zoom ring is not very smooth at all which is a bit annoying but maybe not the end of the world.
The front of the lens extends very far as you zoom in. The lens doesn’t have full-time manual focusing. So you have to switch it to manual focus before you touch that focus ring.
Which is a bit old-fashioned the focus ring is smooth to use. But the front element extends and rotates as you focus which is a pain if you’re using a polarizing filter. The lens uses a very basic version of canonsUSM autofocus motor.
The good news is that the lens focuses fairly quietly. Unfortunately, though it’s a little slow. Also when you zoom in past about 200millimeter the autofocus gets pretty inaccurate and it can be quite frustrating to get a sharper picture.
This lens has no image stabilization. On a telephoto lens, this can be a real pain. At 300 millimeters you need a very fast shutter speed to get a good picture. So you’d better stick to using this on a bright sunny day or else get your tripod out.
I couldn’t recommend this lens for video work because of the lack of image stabilization and because of the zoom ring is so rough to use. You’ll get some good footage if you use a tripod but don’t try and use it for any handheld video work.
The lenses autofocus was some accurate it just wouldn’t play ball. So I wasn’t angry with this camera lens just disappointed. At its widest angle, its pretty good and I was getting nice pictures at 75 millimeters.
But from 200millimeter onwards there’s a real witch is a brew of image quality problems. Which makes using this lens a disturbing experience with this lens.
The more you turn that jerky zoom ring away from 75 millimeters the uglier things get. There’s absolutely no reason to buy this lens of the far superior Canon 55 to 250 millimeter.
Unless you plan to upgrade to an expensive full-frame digital camera but then again full-frame digital camera users probably have better taste than this isn’t a lens I can recommend.
This is my seventh recommendation if you are looking for the best canon lenses under 500.
These are best canon lenses under 500. In this article, I am trying to cover all of the best canon lenses. Let me know if the article is helpful for you.
The FAQ On Best Canon Lenses Under 500
What’s the difference between EF and EFS Canon lenses?
Canon EF-S lenses will solely be used on Canon APS-C DSLRs. APS-C cameras have a smaller device, and therefore the ES-F lenses area unit designed to solely work that device size. EF lenses, on the opposite hand, will work on any full-frame or APS-C Canon camera bodies.
What is the best all-around Canon lens?
Our high choose for Canon’s best all-around prime lens is that the Canon EF 35mm f/1.4 II. The build is nice quality, it offers a flexible focal distance and therefore the pictures it produces square measure razor sharp.
What is the best Canon zoom lens?
For the simplest general zoom which will serve you within the greatest variety of things, we’d advocate the Canon EF 24-105mm f/4 II. It works on each EF and EF-S Canon camera bodies, contains a quick optical device and is a nice price for cash.
What’s the best Canon lens for portrait photography?
For portraits, it’s laborious to travel past the Canon EF 85mm f/1.8. whereas Canon’s 85mm f/1.2 is additionally a wide common selection for portrait photographers, the f/1.8 wins our vote for being lighter, quicker and cheaper, whereas at the constant time manufacturing beautiful portraits.